The Writer Speaks ‘11 Winner’s Circle from the Three Roses Players

The Three Roses Players, LA’s premiere
new works theatre, is
presenting The Writer Speaks ’11 Winner’s Circle #4 shows directed by
the amazing Maggie Grant. Her staging flows easily through the four
diverse short plays that were showcased at The Crown City Theatre in
NoHo. And it seemed like a night full of winners with the local
playwrights and the performers in the well-crafted shows.
“Quantum Trout” and “Scrotum Dialogues” were by Michael Sadler, who
has a gift for finding the funny with great oddball characters. Jessica
Jolly and Joe Comino were perfect as a peculiar pair (a smart hooker and
a gumshoe) spouting clever noir dialogue in “Trout.” “Dialogues” was
wackier with Bradley Fisher great as mobster/flower vendor Vinnie
Valentine, who turns out to be a problem solver for an array of
characters well-played by delightful Gary A. Rainer, Jay Bingham, Steve
Neumeier and Bob Ebinger.
“The Baby” and “Coyote” by Ron Burch, created a more serious
atmosphere with his relationship stories. Both put tension in the air.
Nora Jesse said so much by her long pauses in “Baby.” Jonathan Holborn
and Joe Comino were also strong portraying troubled guys in “Coyote.”
The Writer Speaks ’11 Winner’s Circle #4 had the four plays
presented Feb. 20, and will also be shown Feb. 23 at 8 p.m., and March 6
at 7 p.m. at The Crown City Theatre at St. Matthews Church located at
11031 Camarillo St. in North Hollywood. For tickets, go to www.3rosesp.com.

http://stagescenela.com/html/our_favorite_sings.html
What do you call a blend of musical revue and cabaret?
The
Tre Stage calls it Our Favorite Sings, an entertaining hour and a
quarter of musical theater talents singing their favorite songs live and
un-miked in an intimate black box space.
Upcoming Our Favorite
Sings are set to feature songs from genres as diverse as Cinema,
Gershwin, R&B, Jazz, Classic Rock, and the Beatles, but for the
moment, it’s Broadway that’s getting sung, often quite spectacularly, by
an octet of talented (and in some cases extremely talented) folk.
The
evening of Broadway “sings” belongs to a trio of gorgeous divas—(from
left to right) Nadia Ahern, Gina Coconato, and Yolanda Tolentino, each
of whom sings two or three songs she wouldn’t ordinarily get to sing, at
least not in the musical from which the song is taken. There’s not a
microphone in sight, allowing the audience to hear these amazing
vocalists as nature intended, beautifully unplugged.
Ahern (whose
fine work in Man Of La Mancha and La Cage Aux Folles has been reviewed
here) belts out Judas Iscariot’s powerful “Heaven On Their Minds” from
Jesus Christ Superstar and later gives Broadway and movie Effies a run
for their money with a gritty, emotional “And I Am Telling You I’m Not
Going” from Dreamgirls.
Coconato transforms herself into a
fabulous female Don Quixote to sing a stirring “Man Of La Mancha” (from
Man Of La Mancha) and a raw “Easy As Life” from the Broadway musical
Aida, and duets “Suddenly Seymour” from Little Shop Of Horrors with a
charming Josh Welker.
Tolentino, who’s played Lady Thiang in The King And I both locally and
on Broadway
no less, shows off her terrific pop pipes with the Bacharach-David hit
“Promises, Promises,” from the ‘60s hit currently being revived on
Broadway, and her exquisite legit voice in “Think Of Me,” from The
Phantom Of The Opera.
This trio of ladies couldn’t be more
gorgeous or talented, and all that is missing in the current program is
hearing them them sing in three part harmony.
In other musical
numbers, a lovely Rebekah Key becomes Les Misérables’ Cosette with “On
My Own,” sneezes with the best of them in a very funny “Adelaide’s
Lament” from Guys And Dolls, and duets “For Good” with Ira Gold. As a
solo artist, Gold continues in Les Miz mode with “Bring Him Home” and a
very entertaining “I’m Not That Smart” from The 25th Annual Putnam
County Spelling Bee. Operatic tenor Duke Rausavljevich tries on Andrew
Lloyd Webber for size with “Unexpected Song” from Song And Dance,
followed by the poignant “There’s A Fine, Fine Line” from Avenue Q.
Our
Favorite Sings offers Welker, who’d never get to play Lucy in Jekyll
& Hyde, the chance to sing Jekyll’s fiancée’s “Someone Like You.”
Sunny Williams takes on Elphaba from Wicked in “Defying Gravity” and
dons an Ariel wig to perform “Beyond My Wildest Dreams” from The Little
Mermaid.
The entire cast, which opens the evening with “I Am What
I Am” from La Cage Aux Folles, ends it on a high note indeed with Our
Favorite Sings’ grand finale, “Seasons Of Love” from Jonathan Larson’s
Rent.
Directed with verve by Maggie Grant, whose voice-over
provides Broadway background about many of the songs being sung, Our
Favorite Sings features musical accompaniment by Daniel Alexander on
keyboard.
Though not everyone in the cast reaches the same
heights as Ahern, Coconato, and Tolentino, Our Favorite Sings is a
welcome addition to the L.A. musical theater/cabaret scene. Upcoming
programs are evenings to be looked forward to.
The Tre Stage,
1523 N. La Brea Avenue, Hollywood. Remaining performance Tuesday July 6
at 8:00. See website for future Our Favorite Sings programs.
www.thetrestage.com
--Steven Stanley
June 29, 2010
EO An Historical Farce of Elizabethan Proportion
“hysterically
funny”
Geoff Hoff LA Theatre Review
Maggie Grant is exquisite as The Queen with wonderful comic
timing, an ability with physical humor and an admirable stage presence.
She is almost in the league of Carol Burnett in her delightful mugging and
vocal manipulations. She brings a marvelous sense of royal dignity, lust
and cluelessness to her role.
Geoff
Hoff LA Theatre Review
“well
played by Brian Edward Campbell”
Victoria
Marcello as Lady Larkin brings a fun sense of comedy to the stage
Andrew
Varenhorst is fine as Robert.
Geoff Hoff LA Theatre Review
Samm Hill is also quite good as Will Shaksper, he plays the
country bumpkin as a sort of blend of Orson Wells and Dom DeLuise with a rich,
textured, deep voice and outrageous mannerisms.
Geoff Hoff LA Theatre Review
“Sadler is a
good writer, he has an obvious love of language and flair for comedy”
Geoff Hoff LA Theatre Review